With the new novel by
Jeffrey Eugenides, the Marriage Plot, the writer has been
quite patient in it and drawn closer to the material than he did with his
former works, “Middlesex” in particular.
The new novel is dedicated to college friends or roomies if you like and
it has pain and texture that defines an experience already lived. Eugenides has
always shown real talent in telling of youthful love.
The novel touches base with a former one where
there the protagonist is encountering an affair that she had with a crush in
teenage years, something that happens with The
Marriage Plot, although in this case the novel is quite intense in the
pretentiousness and patter that college intellectuals have, including courtship
sweet banter, nice-boy doormat Mitchell plays in the life of Madeleine and
mostly what follows after the period after graduation where the complexity of
college classes and social scene one has been training their character and
personality winds down and disappears and one has to take another level
altogether in the outside world.
Obviously, the novel by
Eugenides is also quite good, deft, modulated and sympathetic mostly on the
struggle Mitchell goes through in his search of satisfying spirituality,
including the mental illness of Leonard that comes forth strong much early
including the following experiences of Leonard and Madeleine when they are
together. The Marriage Plot is a
story that is beautifully constructed, engaging and wry although for some, its
characters are short of many things. This is clearly seen in the fact that the
religious exploration of Mitchell and all the kind of attention given to it
including the practical commitment and intellectual sweat that he puts into it
as well as the genuine grounding that happens to his soul ends up being
dismissed and sublimated by the need of Madeleine. The point of view the novel
has vacillates across the three characters and after one time bat from Leonard,
the novel seems to forget him in a brutal fashion.
Jeffrey Eugenides |
Madeleine on the other
hand gets the lion’s share of the novel, almost a half of The Marriage Plot, including the opening section that is the
longest part mostly obviously as a result of the fascination that Eugenides has
with the experience of females in his work, as much as she recedes beneath the
curtain of Leonard’s desires. Madeleine has a trait that is almost reactive,
including the way that she deals with her relationships from Mitchell to
Leonard. In other words, she does not make any journey of self discovery or any
at all while it is something the novel seems to have ignored with Madeleine
going all the way to discover the calling she feels acquainted to, that of
being Victorian novel feminist scholar.
The topic of The Marriage Plot might be clear and the hypothetical thematic
centrality but people hardly get much on the development including the thoughts
that are supposed to be on marriage. However, come as it may, it is a read
worth sitting down for.
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